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Features:
Always
thirty to forty distinct pages, some really long, often
funny, sometimes thoughtful--guaranteed to be at least divertingly
different. New stuff (21 July 2008) in Soapbox (a pioneer piece) and Now Playing.
NEW
CD! The
show that premiered in the deJong Concert Hall at BYU in August
2007 and brought the house down. Read about it HERE! Listen to it HERE!

I'm
having a blast playing HOME CONCERTS in homes
like yours. Click here for a "How-to." It's easier than you
think.
E-mail
me
for information about bookings and performance rights for the
new musical
"TAKE
THE MOUNTAIN DOWN,"
a fingerpickin' parable by M. Payne & Steven
Kapp Perry
NEW If you're an instrument lover like I am, you might enjoy a minute or two at FRETTED FRIENDS. (Click it.)
SCRIPTURE SCOUTS.com! Click
here! It's happening!
NEW! FREE! EASY! The best INTERNET FILTER available anywhere! (Just click here, and then select it as the home page on your browser.) Let
me know
how well it works for you. (Steven Kapp Perry swears by it, and enjoys Internet service that is porn-free!)
FYI, BACKSTAGE
GRAFFITI
now lives in Stuff
I write,
along with new (3/7/08) poetry, lyrics, journal bits, and other
stuff. Don't get lost in the archives--take a flashlight. (You
probably won't need a sweater--I'm told it's actually quite warm
in there.) New Backstage Graffiti published 7/10/08.
Download
(for free!) "THE
LOVE BOOK" (or,
as it was re-titled, "LOVE
AND ORANGES").
THIS
MONTH'S (week's, day's, year's) PHOTO: Click on it for a visual
adventure!

Old
poets never die, are never
by death's awesome winter met.
They fade through Autumn's flaming day,
then show up on the _____________.
Fill in the blank! Win a prize!
(The "prize"
being my hearty congratulations. I''m having fun with your answers,
incidentally.)
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Intro
(where I've been all these years):
In 1970, a student
journalist named Dale Van Atta wrote me up in The New Era Magazine
as "Marvin Payne, a Mormon Troubadour." Back then, I
saw and felt a lot of beautiful things around me and, with the
passion typical of young artists, had to try to share them. So
about every nine months I found myself "pregnant
with album,"
and "was delivered" of about a dozen, usually at the
expense of hocking the family van. Most of these I peddled at
little concerts
across the U.S., and door-to-door to college kids in Utah. (I
had a Gibson guitar in those years that was spider-webbed with
finish cracks from walking in and out of warm apartments off snowy
doorsteps.)
I
teamed up with Guy Randle and wrote a lot of songs for some local
musicians who as a family activity had become the most famous
people on the
planet, the Osmonds. They recorded some of the songs, but most
wound up on albums of mine. And together Guy and I also pounded out "a
magical story with songs" called THE
PLANEMAKER, which
made an actor out of me, though in those days I wouldn't admit
it. (I'd known too many drama majors--about three.)
But
in 1981 I was hired to write lyrics for the stage adaptation of
a popular book, CHARLIE'S MONUMENT, a kind of frontier "beauty-and-the-beast"
yarn. Shortly before opening, we were still missing the lead actor
(the "beast"). I was about the right height and knew the songs,
so I agreed to stand in until we got an actor, which I hoped desperately
would be within a couple of weeks. But after twenty minutes of
stumbling around in this impossibly challenging role on a huge
stage in front of lots of people, I found myself thinking "Wow!
This is what I want to be when I grow up!" So I got off people's
doorsteps and began working on lots of stages and in lots of films.
(My most rewarding roles have been SWEENEY TODD, "El
Gallo" in THE FANTASTICKS, and the title role in PHANTOM,
but I usually get recognized in the mall as the guy behind Daddy's
nose in SATURDAY'S WARRIOR.
Go figure.)
Somewhere
in there I enjoyed the publication of a couple of novels and some poetry,
and several plays.
In
these latter times, the nearest thing I have to a "day gig"
is working sometimes with my good friends Roger and Melanie Hoffman
and Steven Kapp Perry in Peace Mountain Mediaworks, where we make musical
story-adventures for children, like SCRIPTURE SCOUTS, in which
I play a curious basset hound named Boo, THE ALLABOUT FAMILY,
in which I play Fred the dad, and ALEXANDER'S AMAZING ADVENTURES,
in which I play the Storyguy, Theo the faithful tortoise, and
a couple dozen others, from Marvin the Merciful Mosquito to Biff
Battlehunk, the Heavyweight Friendliness Champion of the World.
(I
spend some hours weekly helping people with recording projects
at Babymoon Recording, a Pro Tools studio I run out of our cabin. I
suppose that's a little like a "day gig" as well.)
This
is starting to read like a resume,
so let me get to (or return to) the point. I am still showered with saving grace, surrounded by visions
of beauty, daily
a witness to kindness and heroism and improbable hope. And through
all these little career shifts I am still driven by a passion
to share what I feel about it all. Some of what I feel is for sale,
because I have this addiction to food and shelter. Some of it's free for the clicking-on.
A
thing I like about the Internet idea is that, if you're like me,
you probably love to buy things but hate to be sold things. So
imagine that I'm off somewhere on a walk (like the three bears)
and here you are in my "home page." (Is that a warm
image, or what?) You are finding notes left behind for you. Imagine
three bowls of porridge. Imagine also flowers, and a candle.
I'll
be looking for notes you leave behind, too.
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Everything
on the site is ©2008 by Marvin Payne. All rights to publish
commercially are specifically reserved.
Graphic design by Joe Payne. Exterior "striped shirt" photography by Kris Payne.
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